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Diversen : Instruments of the Middle Ages and Renaissance ( David Munrow )

Diversen
Categorie:  Componisten
Info:  The Early Music Consort of London o.l.v. David Munrow. Veritas/Warner Classics 2cd's. Levertijd 4 á 7 werkdagen.
afbeelding:  http://www.poortmusic.nl/klassiek/afbeeldingen2/13443.gif
prijs:  € 14,99
 
Trackinfo : anon. 14th-century: Shawm - Saltarello
Shawm - Saltarello
Traditional Syrian: Reed pipe - Shepherd's tune
Reed pipe - Shepherd's tune
Guillaume De Machaut, anon. 14th-century: Bagpipes
Bagpipes
13th century: Bladder pipes - Pastourelle (Au tans d'aost), from the Chansonnier Cangé
Bladder pipes - Pastourelle (Au tans d'aost), from the Chansonnier Cangé
13th century: Panpipes - Chanson à refrain (A prisai qu'en chantant plour)
Panpipes - Chanson à refrain (A prisai qu'en chantant plour)
Master Alexander, late 13th century: Transverse flute - Minnesinger melody (Owe daz nach liebe gat)
Transverse flute - Minnesinger melody (Owe daz nach liebe gat)
Thibaut of Navarre: Six-holed pipe - Chanson pieuse (Dou tres douz non') with improvised prelude & postlude for jew's harp
Six-holed pipe - Chanson pieuse (Dou tres douz non') with improvised prelude & postlude for jew's harp
Jehan de Lescurel: Double pipes - Virelai (Gracieusette)
Double pipes - Virelai (Gracieusette)
Guirault d'Espanha de Toloza: Pipe and tabor - Dansa (Ben volgra s'esser poges)
Pipe and tabor - Dansa (Ben volgra s'esser poges)
Anonymous: Recorder - English Te Deum
Recorder - English Te Deum
Colin Muset: Gemshorn - Chansonnette (Quant je voy yver retirner)
Gemshorn - Chansonnette (Quant je voy yver retirner)
Vincenzo da Rimini: Portative organ - Madrigal (Ay schonsolato ed amoroso)
Portative organ - Madrigal (Ay schonsolato ed amoroso)
14th-century English: Positive organ - Estampie from the Robertsbridge Fragment
Positive organ - Estampie from the Robertsbridge Fragment
Jehan d'Esquiri: Hurdy-gurdy - Chanson (Joliveté et bone amor)
Hurdy-gurdy - Chanson (Joliveté et bone amor)
Conrad Paumann: Clavichord - Ellend du hast
Clavichord - Ellend du hast
Hermann, Monk of Salzburg, Guillaume Dufay: Trumpet
Trumpet
Hermann, Monk of Salzburg, Gillebert de Berneville, anon. 14th-century: Trumpet
Trumpet
ascribed to Tassin, 13th century, 13th century: Harp
Harp
Anon. 11th century: Lyre - Goliard melody (O Roma nobilis)
Lyre - Goliard melody (O Roma nobilis)
Orkney Isles 12th century: Psaltery - Hymn to St. Magnus (Nobilis humilis)
Psaltery - Hymn to St. Magnus (Nobilis humilis)
Jacopo da Bologna, 1st half of 14th century: Dulcimer - Madrigal (Tanto soavemente)
Dulcimer - Madrigal (Tanto soavemente)
Jacopo da Bologna, 1st half of 14th century: Lute - Madrigal (Di novo é giunto)
Lute - Madrigal (Di novo é giunto)
Thibaut de Blason, 13th century: Mandora - Chanson (Amours que porra)
Mandora - Chanson (Amours que porra)
ascribed to Alfonso nicknamed (El Sabio): Long-necked lute - Aquel que de voontade' from the Cantigas de Santa Maria
Long-necked lute - Aquel que de voontade' from the Cantigas de Santa Maria
Guillaume De Machaut: Gittern - Virelai (Quant je sui mis)
Gittern - Virelai (Quant je sui mis)
13th century: Citole - English dance
Citole - English dance
13th century: Rebec - La septime estampie real
Rebec - La septime estampie real
Francesco Landini: Fiddle - Ballata (Poi che da te mi convien)
Fiddle - Ballata (Poi che da te mi convien)
Guillaume De Machaut: Bowed lyre - Virelai (Comment qu'a moy)
Bowed lyre - Virelai (Comment qu'a moy)
anon. 14th-century: Tromba marina - Improvised fanfare
Tromba marina - Improvised fanfare
Samuel Voelckel: Shawm - 2 Courantes from Newe teutsche weltliche Gesänglein, 1613
Shawm - 2 Courantes from Newe teutsche weltliche Gesänglein, 1613
Tielman Susato: Curtal - Chanson (Ce qui souloit)
Curtal - Chanson (Ce qui souloit)
Giorgio Mainerio: Rackett - Caro ortolano from Il Primo Libro di Balli, 1578
Rackett - Caro ortolano from Il Primo Libro di Balli, 1578
Johann Hermann Schein: Crumhorn - Padouana from the Banchetto Musicale, 1617
Crumhorn - Padouana from the Banchetto Musicale, 1617
Antonio Gardane: Cornamuse - Bicinium (Le cuer de vous) from Georg Rhaw's Bicinia gallica et latina, 1545
Cornamuse - Bicinium (Le cuer de vous) from Georg Rhaw's Bicinia gallica et latina, 1545
Guillaume le Heurteur: Kortholt - Bicinium (Mon petit cueur) from Georg Rhaw's Bicinia gallica et latina, 1545
Kortholt - Bicinium (Mon petit cueur) from Georg Rhaw's Bicinia gallica et latina, 1545
Michael Praetorius: Rauschpfeife - Three Bransles Doubles from Terpsichore, 1612
Rauschpfeife - Three Bransles Doubles from Terpsichore, 1612
Claudin de Sermisy: Flute - Chanson (Amour me poingt) from Pierre Attaingnant's 2nd book of Chansons musicales, 1533
Flute - Chanson (Amour me poingt) from Pierre Attaingnant's 2nd book of Chansons musicales, 1533
Guillaume le Heurteur: Recorder 8' consort - Chanson (Hellas! Amour) from Pierre Attaingnant's 2nd book of Chansons musicales, 1533
Recorder 8' consort - Chanson (Hellas! Amour) from Pierre Attaingnant's 2nd book of Chansons musicales, 1533
Anthony Holborne (1547? - 1602): Recorder 4' consort - The Fairie Round from Pavans, Galliards, Almains and other short aeirs, 1599
Recorder 4' consort - The Fairie Round from Pavans, Galliards, Almains and other short aeirs, 1599
Pedro de Soto: Renaissance organ - Entrada réal
Renaissance organ - Entrada réal
Conrad Paumann, anon. 15th-century: Regal
Regal
Giovanni Salvatore: Harpsichord - toccata from the Naples Ms.
Harpsichord - toccata from the Naples Ms.
Anon. 16th century: Virginals - Variations on the Tomanesca from the Dublin Virginal Book, c.1570
Virginals - Variations on the Tomanesca from the Dublin Virginal Book, c.1570
Giorgio Mainerio: Xylophone - Ballo Francese from Il Primo Libro di Balli, 1578
Xylophone - Ballo Francese from Il Primo Libro di Balli, 1578
Claudio Monteverdi: Trumpet
Trumpet
Michael Praetorius, Heinrich Ignaz Franz von Biber: Sackbut
Sackbut
Girolamo Frescobaldi: Cornett - Canzona fro (due canti) from Canzoni da sonare, 1634
Cornett - Canzona fro (due canti) from Canzoni da sonare, 1634
Pierre de Manchicourt: Alto & tenor cornett - Bicinium (Amour cruel) from Georg Rhaw's Bicinia gallica et latina, 1545
Alto & tenor cornett - Bicinium (Amour cruel) from Georg Rhaw's Bicinia gallica et latina, 1545
Girolamo Frescobaldi: Serpent - Canzona quarta for (basso solo) from the Canzoni da sonare, 1643
Serpent - Canzona quarta for (basso solo) from the Canzoni da sonare, 1643
John Dowland: Lute - Orlando sleepeth
Lute - Orlando sleepeth
Thomas Mace: Theorbo - A Fancy - Praelude, or Voluntary from Musick's Monument, 1676
Theorbo - A Fancy - Praelude, or Voluntary from Musick's Monument, 1676
Giorgio Mainerio: Mandora - Ballo Anglese from Il Primo Libro di Balli, 1578
Mandora - Ballo Anglese from Il Primo Libro di Balli, 1578
Anthony Holborne (1547? - 1602): Cittern - Galliarde from cittern and bass from the Cittharn Schoole, 1597
Cittern - Galliarde from cittern and bass from the Cittharn Schoole, 1597
Alessandro Piccinini: Ceterone - Toccata prima from Intavolatura di Liuto e di Chitarrone, 1623
Ceterone - Toccata prima from Intavolatura di Liuto e di Chitarrone, 1623
John Dowland: Bandora - Galliard from the Braye Bandora Ms.
Bandora - Galliard from the Braye Bandora Ms.
Anonymous: Orpharion - Duet (Le Rossignol) from Jane Pickering's Lute Book, 1616
Orpharion - Duet (Le Rossignol) from Jane Pickering's Lute Book, 1616
Luis de Milán: Vihuela - Fantasia XI from El Maestro, 1536
Vihuela - Fantasia XI from El Maestro, 1536
Anon. 16th century: Guitar - Pavana (variations on the Romanesca) from the Braye Lute Book, c.1560
Guitar - Pavana (variations on the Romanesca) from the Braye Lute Book, c.1560
Thomas Ford, William Byrd: Viol
Viol
Anon. 16th century: Violin - la Volta
Violin - la Volta


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